21. MARIOTTO DI NARDO
Florence, active 1393 – 1424
Saint Francis, 1408
(from the Coronation of the Virgin altarpiece, Santo Stefano in Pane, Florence)
Tempera and gold on panel
18 1/8 x 8 5/8 in. (46 x 21.9 cm.)
Grand Rapids Art Museum,
Gift of Hollis S. Baker, 1951.1.7
Provenance: Altarpiece commissioned for Santo Stefano in Pane (Borgo di Rifredi), Florence; W. Davenport Bromley, Wooton Hall, London, 1844-1863; Bromley sale, Christies, London, June 13, 1863, Lot 156; Purchased by Watson Taylor from Christie’s as Niccolo di Pietro; Hatton Garden Church, London (Holborn), late 19th century; Altarpiece disassembled and parts dispersed between 1894-1917; Georges Wildenstein & Co., New York, by 1917 (central Coronation and 6 pilaster panels of saints); Ernst Rosenfeld, New York (four panels); Parke-Bernet sale, January 4, 1947, no. 85 [to Hollis Baker?]; Hollis S. Baker, 1951.

22. MASTER OF THE APOLLO AND DAPHNE LEGEND
Florence, active end of the 15th century
Daphne Found Asleep by Apollo, c. 1500
Oil on panel transferred to canvas
25 5/8 x 53 3/4 in. (61.1 x 136.5 cm.)
The David and Alfred Smart Museum of Art, The University of Chicago,
Gift of the Samuel H. Kress Foundation, 1973.44
Provenance: Private collection, England; Count Alessandro Contini Bonacossi, Florence; Samuel H. Kress Collection, 1950-1973.

23. MASTER OF THE APOLLO AND DAPHNE LEGEND
Florence, Active end of the 15th century
Daphne Fleeing from Apollo, c. 1500
Oil on panel transferred to canvas
25 5/8 x 53 3/4 in. (61.1 x 136.5 cm.)
The David and Alfred Smart Museum of Art, The University of Chicago,
Gift of the Samuel H. Kress Foundation, 1973.45
Provenance: Private collection, England; Count Alessandro Contini Bonacossi, Florence; Samuel H. Kress Collection, 1950-1973.

24. Parrasio MICHELI
Venice 1516 – 1578
Young Woman Playing a Lute, c. 1570
Oil on canvas
37 x 32 in. (94 x 81.3 cm.)
Sarah Campbell Blaffer Foundation, Houston, Texas, 1978.23
Provenance: Cecil Amelia Blaffer Foundation, 1978.

25. Bartolommeo MONTAGNA
Orzinuovi 1453/54 – Vicenza 1523
Temptation of Saint Anthony, c. 1510
Oil on panel
9 _ x 13 5/8 in. (24.1 x 34.6 cm.)
Museum of Art and Archeology,
University of Missouri-Columbia, MO.
Gift of the Samuel H. Kress Foundation, 61.84
Provenance: Paul Bottenweiser Collection, Berlin; Ludvig Furst Collection, New York; Samuel H. Kress Collection, 1961.

26. Giovanni Battista MORONI
Albino 1520/25 – Bergamo 1578
Portrait of an Ecclesiastic, mid-16th century
Oil on panel
28 1/2 x 23 3/4 in. (72.4 x 60.3 cm.)
The Minneapolis Institute of Arts,
The William Hood Dunwoody Fund, 16.22
Provenance: Probably collection of Giuseppe Baslini, Milan, 1885; Sir William Neville Abdy (ã 1910), London, 1885-1910; inherited by Lady Florence Abdy (ã 1922), London, 1910-1911; Christie’s, London (Lady Abdy Collection, May 5, 1911, lot 141); Bought by Colnaghi’s, 1911-1916; Knoedler’s, 1916: Museum purchase, 1916.

27. NICCOLÒ DI LIBERATORE DA FOLIGNO, called l’Alunno
Foligno, c. 1425/30 – 1502
Saint Jerome, 1458-62
Tempera and gold on panel
17 _ x 12 _ in. (32 x 20 cm.)
The Martin D’Arcy Museum of Art, Loyola University, Chicago,
Gift of Mrs. Chester D. Tripp, 20-78
Provenance: Collection of George Farrow, London; Spencer Samuels, New York; Sotheby’s, London (sale April 19, 1967); Mrs. Chester D. Tripp.

28. Giovanni Pietro PEDRINI, (Giovanni Pietro Rizzoli called Giampietrino)
Italy, active 1st half of the 16th century
Christ at the Column
Oil on panel
28 3/4 x 23 3/4 in. (73 x 60.3 cm.)
Patrick and Beatrice Haggerty Museum of Art,
Museum Purchase, The David C. Scott Foundation Fund, 96.6.3
Provenance: Collection of Prof. Nelson Goodman, Harvard University, 1996.

29. Circle of PIETRO DI DOMENICO DA MONTEPULCIANO
Tuscany 1457-1506
The Conversion of St. Eustace
(One of sixteen scenes from the Life of Saint Eustace from the tabernacle of the Church of Sant’Eustachio, Campodigiove)
Tempera and gold on panel
25 x 13 3/4 in. (63.5 x 34.9 cm.)
Grand Rapids Art Museum,
Gift of the First Ten Members of the Art Association, 1947.1.1
Provenance: Custodia of the Church of Sant’Eustachio, Campodigiove; Theft from church, 1902; Count Vetter Vander Lilie, Austria; E. and A. Silverman Gallery, New York.

30. Domenico PULIGO, (Domenico di Bartolomeo Ubaldini, called Il Puligo)
Florence 1492 - 1527
Christ the Redeemer, early 1520s
Oil on panel
19 1/2 x 6 3/4 in. (49.5 x 17 cm.)
Courtesy of Piero Corsini Inc., New York
Provenance: Private collection, Lugano.